Hello Creative Whithorners!

You can see my work at Life's Little Ironies in Whithorn

I’m just posting a very quick update here, particularly aimed at those of you who may have found your way here from the Creative Whithorn trail leaflet where I am part of the Arts and Crafts Trail running this weekend.


My advert in the leaflet shows this website address, but if you are interested in my artwork, you will actually find it over on our new site www.portpatrickstudios.com which was just launched last month.

This website is going to get a bit of an overhaul in the near future, but for now, feel free to browse the archives here where you will find lots of crafty work relating to my time running Chocolate Baroque, a rubber stamp and craft retailer. So if it’s my latest artwork you’d like to see, then head over to Portpatrick Studios where you will also find creative workshops and Adrian’s photography.

Thanks for visiting!


A fork in life’s path

I know I have been absent a long time, but I have been very busy on a big project: the sale of Chocolate Baroque.  Yes, that’s right, Adrian and I have sold the business and we reckon to the best possible person to nurture it and take it forward – Lesley Wharton.

You may have heard the news already, but if not, you can head over to the Chocolate Baroque blog and read more about it.

I will be re-designing and re-defining this blog and turning it into much more of a personal, lifestyle type blog where I can write about my new life as an artist.

I would also invite you to visit our new website, www.portpatrickstudios.com and if you want to stay in touch, sign up to our email list over there (we’re offering a couple of freebies if you sign up now).  We have a facebook page too www.facebook.com/portpatrickstudios so please pop over and give us a like.

It goes without saying that I will continue to be a huge supporter and fan of Chocolate Baroque and wish my buddy all the luck in the world with her bright new future.


002/100 Second lino cut

the first proof

I have been working on another lino cut of the Zebrette jug, from a slightly different angle. I have new lino and new tools which has made it easier to cut. I have been trying to get a cleaner look, but my bookpress a little tricky as you can’t be consistent with the pressure.

I have also used linseed oil based ink this time, so if I want to hand colour them afterwards, I should be able to do that with no risk of the ink smearing.

I got Adrian to take some photos so I could show you some of the process.

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After the first couple of proofs, I decided to clean out the background some more and ended up cutting away the background entirely from the top part.


It’s going to take a while to get to 100 at this rate, but things should speed up a bit as I plan to try some monoprints and collographs next.



001/100 Zebrette Lino Print

The third print (that was too light) enhanced with water, pencils and acrylic paint

I finished my first lino cut and had a little printing session with it.

I’m keeping notes on some of them so I know what went wrong or right and in particular, what papers work well.

Keeping notes

Here’s the results of the first session.

You can click on any of the images above to see a larger version, but you’ll need to click Back to return.  (I’m still looking for a decent gallery plug-in for WordPress that won’t slow it right down.)

I used a waterbased block printing ink from Speedball which I discovered is not waterproof when dry.  The final print with the yellow background was where I discovered this.  I decided to enhance this print – it was the lightest of all of them and looked quite bitty because of the textured watercolour paper I’d used.  I added some shading with coloured pencils, and strengthened the black pattern on the jug with a marker, then decided to add the yellow paint to the background.

As soon as the dried ink came into contact with moisture, it just woke right up and started blending – eek, not what I was expecting.  But I just took it carefully with the paint and managed to get the colour added without too much of the black blending in.  Then I thought I’d take advantage of it and used a wet paintbrush to go over the black pattern again and the foreground.  I’m happy with how it’s turned out and I think the coloured background really makes the white of the jug pop.

I’ve started my second one with fresh lino and new tools and oh, what a difference!

100-002 printmaking01


PS – I have tweaked a cache setting to try and make the blog a bit faster to load – anyone notice any difference?