Ten minute Autumn cards

I finally got around to making some cards with our latest Autumn stamps.  I need some birthday cards in the next month or two for men and of course Autumnal colours of green and brown fit the bill very well.

These are really simple, quick makes so for any beginners out there, I’m giving you the details, recipe style.  You actually get two cards for the price of one with this simple masking technique.

Leafy Green Birthday

autumn cards04

Materials:

archival-greens

To make the card:

  1. Place the die cut onto the white card in the place where you want your sentiment to appear and hold it in place with a little masking tape folded over on the back.
  2. Starting with the lightest shade of green, stamp the little frond stamp from Autumn Poppy several times along the bottom of the card, varying the height.  Stamp right over the top of the die cut as well so you have some sticking up over the top.
  3. Take one of the leaf sprays and use your mid toned green inkpad to stamp leaves around the bottom, again stamp right over the die cut and vary the angle of your stamp each time.
  4. Choose another leaf stamp and repeat with the darkest green inkpad.
  5. With the die cut still in place, take the stencil brush and tap onto the lightest colour inkpad.  Starting on the die cut itself, gently swirl the brush all the way around the edge of the label shape.  This will help to define its outline once you remove it.  You can repeat this with your mid toned green if you want to make this a little stronger.
  6. Pick up the palest green again and swirl it gently around the edge of your card panel, but keep it subtle.
  7. Remove the die cut label and stamp your chosen sentiment from the Amazing Birthday stamp set into the middle.  These clear sentiments make it easy to position the stamp in the right place.
  8. Use your mid toned green inkpad to stamp a few individual leaves in the top left and bottom right corners of your folded card.
  9. Stick your stamped panel onto the sage green panel and stick centrally onto your folded card.

In my composition, I placed the die cut in the lower right corner and balanced the overall design with less stamping (more white space) in the top left corner.  I also stamped more leaves on the base card in the lower right corner – if I stamped too many at the top, it would look ‘top heavy’.

 

Birthday Label

autumn cards01

This card almost needs no explanation as it is the ‘left over’ die cut from the card above, but if you wanted to make it from scratch, it’s a super quick card to make.

Materials:

autumn_poppy_amazing_birthday

To make the card:

  1. Stamp a selection of leaves and fronds from the Autumn Poppy stamp set onto your die cut label shape, starting with the lightest shade of green and working towards the darkest.  Leave part of the label with less stamping so you have somewhere to stamp your sentiment later.
  2. Let the ink dry, then use a large stencil brush to pick up ink from the palest inkpad and swirl it gently over the label to add some background colour.  Repeat with the mid tone green if you wish.
  3. Stamp a sentiment in orange over the lightest part of your label.
  4. Cut a length of decorative ribbon slightly wider than your folded card and glue it to the strip of brown card the same width as your card front.  Stick the ends of the ribbon to the underside of your card strip then stick to your card front.  This is a neat way of adding ribbon without having unsightly ends showing inside when you open up the card.
  5. Apply double sided foam pads to your stamped label and stick over the ribbon strip as shown.

If you are new to stamping, or you think Chocolate Baroque stamps are only for experienced and advanced stampers, I hope these cards go some way to showing that they are versatile enough for any level of experience or ability.  From next month you will see our Design Team bringing you a few quick makes over on the Design Team blog as we all know there are times when you just need to make something in a hurry.

The other quick project I made this week was these pillow boxes and you can read about those on the Chocolate Baroque Shop News page.

pillow boxes

Have a great crafty weekend everyone, but before I go, I must just leave you with a picture of my latest desk accessory.  It’s not exactly helping my productivity though …

purdy basket

glwsig-orange

Chocolate Baroque Colour Challenge 2

A while ago, Lesley and I decided to do a little background swap and we chose the colours of this month’s Chocolate Baroque Colour Challenge to play with.

This month’s colour challenge over at chocolatebaroquechallenge.blogspot.com

I can’t tell you much about how the background on my card was created as I didn’t make it!  What I did do though was stamp the keys and keyholes in Cornflower Blue  and Venetian Orange Archival ink.  I stamped some up to three times before re-inking to give the fainter images in the background.

col challenge2

The sentiment is stamped in black archival and that’s it – mounted onto a brown card, it’s a super simple, quick card.  The stamps are all from Key to My Dreams – a useful stamp set for mens cards and I think it goes with our Steampunk range really well too.

If you’d like to see what everyone else has been creating with this month’s colour swatch, do take a look at the Chocolate Baroque Colour Challenge blog – it’s truly inspiring.

Have a great weekend!

glwsig-orange

 

 

PS – Lesley is doing one of her weekend treats over at Chocolate Baroque – click here to get all the details.

Seaside Dreams

Well firstly, thank you all for your very encouraging comments about me doing some workshops – I had lots of replies over on Facebook too, so I’m trying to get something planned for the end of October and will let you know what, when and where.

Meanwhile, Chocolate Baroque  just launched a set of Seaside themed stamps last week (Seaside Dreams) and of course they are instantly my favourite stamps ever.

I used them to create this week’s Monday Mojo inspired card which features a transparent strip along the front to reveal the inside of the card.  Click here to read the tutorial showing how I created this type of card.

seaside-strip

The inside is a gelli print which I stamped with Archival Aqua ink.  The shells on the front were stamped with Pale Ochre Archival ink, masked off and stamped again.  I then drew a pencil line above the shells, simplifying the shape slightly and cut them out to form the base of the card.

The line below the beach huts was drawn using a useful gadget – the curved Tonic rulers which are handy when you want a wave shape bigger than anything a paper trimmer can do.

seaside bunting

When Lesley came to visit a couple of weeks ago, we had real fun playing with these stamps.  I had the idea of making seaside bunting, but I got carried away with colouring and I think it might take a while to do a whole string of bunting!  Lesley made a super postcard which you can see on her blog  (thepaperengineer.blogspot.com).  My bunting is coloured with polychromos pencils, including the sea behind the huts which uses lighter and lighter shading to fade out to white.  Today the view from my window is of a sparkling grey-blue sea, but we sometimes see it where the sea fades out to sky with no visible horizon and the boats look like they are floating in mid air.

 

seaside mermaid

We also did some gelli printing and the mermaid card below uses one of my prints as the backing paper.  The mermaid is coloured with copic markers.

 

mermaid seashells

ocean

The scalloped circle card seemed very appropriate for the shells. I stamped in Archival Potting Soil and coloured with pencils before covering with a mask. Once masked, I used a large brush to add colour to the sky and sand. The two starfish are from  Underwater Kingdom which are also coloured with pencils. Just when it was all looking good, I noticed a smudge at the top of the card, so I picked out the tiny shell from Mermaid Queen and stamped it all around the edge which disguised the mark and gave the whole thing a nice frame too.

I hope you are enjoying the same glorious sunshine that we have here at the moment. We are making the most of it while it lasts – we were out last night on the putting green then we took a trip out to sea to watch the sunset.  The sky was fantastic!

sunsetaboardpredator

glwsig-orange

 

PS – you can click on any photos to see a larger image – just use the back button on your browser to return to the post.

 

Cheep Cheep

Did I ever show you this tag?  I made it when we first launched the Steampunk Birds stamp set, but I can’t find it in the blog archive or over on the Design Team blog either.  I swear my memory is just not what it was and it’s never been that great to start with!

Anyway, this week’s Monday Mojo focused on realistic shading and if you have ever struggled with getting your rounded shapes to look rounded, then please click here to read it and download the practice sheet.  Shading takes practice, there’s no real shortcuts if you are new to it, but the rewards are well worth the effort.

In this tag, I have used these shading principles to colour the eggs and also the parachute in the background, the conical chimney on the birdhouse and the spiral of the birdhouse stand.  Looking at other people’s examples of colouring can often give you more of an insight than looking at a photograph.  My mum always said art is all about problem solving – how do you trick the eye into believing a flat two-dimensional object is three-dimensional? A lot of it is about where you put the shadows and highlights.

cheep-cheep

Here’s another recent example of shading on a flower.  The trick here is a good strong contrast between the darkest and lightest section of the petals.

Peony card

Neither of these two pieces are new, but my body called time out and declared a couple of days of extreme self care were in order at the weekend (I will be SO glad when my ovaries finally run out of eggs..).  I was in no state to argue so Sunday was spent in PJs, propped up in bed looking out at the sea and reading magazines and a fab new book that I pre-ordered ages ago (Paint Mojo by Tracy Verdugo).  After a stressy Friday with no internet at all and more BT incompetence to deal with, it was just the tonic I needed.

I’m going to leave you with a little question.  If I happened to be visiting one of Chocolate Baroque’s stockists near you, and if I were to teach a class there, would you (a) be interested in taking a class with me and (b) what specifically would you want to learn from me?  Leave me a note in the comments below or in the Chocolate Baroque Facebook group where I am asking the same question.

thanks,

Copyright 2008-2014 Glenda Waterworth. All rights reserved.