X does not mark the spot

Did you ever draw a pirate map when you were a kid?

I was transported back to childhood doing this project and thoroughly enjoyed it.  When I was a kid my favourite books were the ones with a map of a mythical world in the front of the book.  You knew it was going to be a good story if they started out with an unfamiliar map full of strange place names, hinting at adventures to come.

I started by stamping the quote on a mottled parchment paper and then masked off the edges of the paper and stamped various travel words from the Steampunk Travel and Steampunkery sets with Adirondack Pesto ink.  I took the mask off and drew a sketchy border around the masked area then carefully covered over the quote and splashed the stamped words with water.  Adirondack dye ink bleeds when wet, so the words became blurred and patchy.  It needed to look more worn so I decided to add some distress inks and set to with Bundled Sage, Old Paper and Antique Linen – all pretty subtle colours.  I may have added a hint of Brushed Corduroy as well.

I distressed the edges and crumpled the paper around the border before adding stronger colours and water.  While wet, I rubbed a Rusty Hinge distress pad over the creases and misted with more water then when that was dry, I flicked droplets of Distress Stain and water over it quite liberally.

This evolved over several evenings as I kept putting it aside to dry and coming back to it.  I began to pick out splodges and draw round them with a fine liner to create islands.  I used Copic markers to add a  blue line around the outside edge of each island and an ochre tone to the inside edge of each island.   I used Copics as a water based marker of any kind would have blended the Distress colours on the paper more, but Copics or Promarkers won’t move water soluble pigments around.  Some of the larger ones got some little mountains on them too, then I came up with the idea of a sea monster.

I dug out an old stamp set – Here be Dragons – and applied a little masking tape before stamping him (I practised on scrap paper first to get it right).  I then drew in little waves around the masked line and coloured him in lightly with pencils.  I think he makes quite a convincing sea monster.

This is a treasure map, but you won’t find an X on it anywhere.  The real treasure is in the words – a super quote from Steampunk Travel by Mark Twain (hence the American spelling).  It’s got me inspired to create another map with place names on it now – Embellishment Bay, Bling City, Distressville … hmmm, I can see lots of potential here…  So what would the treasure on your map be?

Spring Distress Inks

I managed to get a very quick bit of playtime with the new Spring Distress inkpads.  I used all three colours and I do like the palette.  I started by inking the top with squeezed lemonade and the bottom with shaded lilac, then I stamped a couple of different lace stamps top and bottom with peacock feathers and the bottom two corners with the corner stamps from Lace Fragments.  I misted the top with quite a bit of water and let the colour bleed and run down the tag.  I misted the bottom a bit too, but not as much.  After drying with a heat tool, I flicked a little clean water over and blotted it off.

I then stamped the phrase from Artistic Affirmations about three or four times over the background using squeezed lemonade and added a little more shaded lilac at the bottom.  The lilac stamped corners were a bit faded out by this point, so I added another lace border in shaded lilac.  I then stamped the words and border swirls with Onyx Black Versafine and added a piece of decorated Stampbord.

I can see the lilac and lemonade combination would work really well with our Elegant Iris stamp set – definitely Spring like.  I just wish the weather was!

PS – I’ve been tweaking a few bits and pieces around the blog – menus at the top, side bar content and a little slide show thingy at the top of the main page.  You’ll now find a list of links in the side bar, and in the menu bar right at the very top, there are now links to Cards, Mixed Media and Video which show you blog posts from those categories – like little galleries.  It’s a constant work in progress, but I feel like it’s a bit more organised now – hope you like it!

Steampunk and Lace

I thought I’d share a project that was recently featured in the Baroque Guild newsletter.  This is a large 8×8 inch card which features a polymer clay tree made with a stamp from Steampunk Christmas.  I also used all sorts of metal bits and pieces or faked a metal look with embossing powder.

The polymer clay tree was dusted with Perfect Pearls before baking, then enhanced with Mystic Green and Firefly Stickles.

I used Fired Brick and Aged Mahogany Distress Stains to colour Kraft Glassine paper which had been resist embossed with clear embossing powder first, using the cog stamps from Steampunk Christmas.  The pointelle lace and velvet ric rac are part of the eclectic Victorian mix that Steampunk is all about.

The robin backing paper is part of the Spirit of Christmas papers that I am in the process of getting onto the website.  I may be able to fit that in this weekend between washing machine shopping and visiting my family.  It’s my Dad’s birthday this weekend so we’re off to Cumbria to see him and the family – one of our personal goals this year is to spend more quality time with my family as they have been a bit neglected with Adrian’s parents taking up so much of our spare time.

Now I do appreciate that this isn’t exactly a batch card for Christmas, but I hope some of the ideas in it give you some inspiration.

Have a great weekend!

Do you have ten minutes? Ten minutes? Yes, ten minutes.

Award yourself a brownie point if you get the film reference in the title.  If you have ten minutes to spare, I have prepared a little video for you showing some of June’s new stamps in action.

 

If for any reason, you can’t see the embedded video here on the blog, click the link below to watch it on YouTube.

http://youtu.be/z9TeGeaEaXI

 

 

Winter Snowman Copic Card

Well I said I’d try and show you some more Christmas cards, but this kitten wrangling really does take it out of a girl so I just have one for now, but I have a whole box of christmassy stamped bits just waiting to be turned into cards.

This card is coloured with Copic markers and Distress inks.  The snowman is stamped with VersaMagic chalk ink (Agean Blue I think) and the nearest match in the copics was BG72 Ice Ocean.  It was just a touch stronger, so I used tip to tip blending to shade around the edges of the snowman, touching the BG72 to a colorless blender to make the colour nice and soft.

The hills were drawn with B32 Pale Blue using the corner of the chisel tip.  That’s a great way of getting a consistent thin line as using the brush tip means the line will vary with pressure.  I coloured the hills with B00, using the lightest touch I could manage and stroking the colour down, lifting the pen off the page to feather it out to white, helped on it’s way with colorless blender.

The sky is done with Distress inks – Victorian Velvet and Scattered Straw.  I added just a touch to the hills too to give the effect of a wintery sunset.  I stamped some snowflakes in the sky and wished I hadn’t, so added a bit of the Agean blue around the edges to tie the colour scheme together.  The shadows in the foreground are done with cool greys.

It’s a wonder I get anything done around here at the moment.  How can you not stop and just gaze at this kind of thing?

Oh, and if you haven’t already seen it, check out my other half’s latest venture – Adrian’s Awesome Deal of the Day – these kittens are making him soft!

Paris Tag

I taught a class this week which was all about making backgrounds.  One of the simplest was using magazine pages lightly coated with gesso as a collage element.  Gesso takes inks differently to paper, so it can be interesting to mix and match them as I did in this tag.


I’ve inked up the tag with Crushed Olive and Dusty Concord distress inks, then used the same colours on the gessoed paper – you can see it’s much paler than on the tag itself.

I glued the gessoed paper onto the tag before stamping, but you can get a slight gap at the edge of the torn piece when you do that – you can just see it at the bottom of the tag.  To avoid that, stamp the two separately then line up the gessoed piece over the top of the tag.  You need to use a piece bigger than the tag so you can line it up accurately and trim round the edges after you have stuck it down.

I stamped the sentiment in Crushed Olive then repeated it without re-inking for a softer look.  I then overstamped the first sentiment with black and the Crushed Olive has given the text a drop shadow effect.

We covered a lot of different background techniques – Direct to Paper

Precious Metal Paper

and lots more.

I’ve taught this class many times, always with some new variants, depending what new products have come out since the last time and I always enjoy it.  I taught it to a bunch of calligraphers many years ago as they were looking for interesting backgrounds to write on.  I had to test that all my backgrounds were suitable for writing on with calligraphers ink and discovered that shaving foam backgrounds worked great.  I thought the soapiness would stop the ink from working, but it was fine.

As you will no doubt have seen yesterday, we had a Basement Bunneh in the garden again.  He was quite happy to pose for photos and came back for more in the evening.

When he turned to face the camera, you can see he has quite a lot of grey on his front, so we’ve christened this one Smokey.

He’s also very, very boingy.

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